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Sergey Smirnov was born in 1953, in an area of Russia bordering the Pacific Ocean known as the Kamchatka Peninsula. His father was an army officer. In his late teen years, Smirnov and his family settled in Moscow.

In 1979, Smirnov began to take classes at the Moscow City Art College. He graduated from the art college in 1984 as class valedictorian, with a master’s degree in art. His remarkable skill in church and cathedral renovation, led to a prestigious position as a restorer of aging and antique church icons and frescoes. His work now graces several major churches throughout the country.

In 1988, Smirnov became a member of the prominent International Federation of Artists and National Artists’ Union of Russia. Starting in 1991, Smirnov served as chief editor for the Advertising and Image Creation Corporation of the Russian government’s International Trade Corporation. Smirnov designed and developed logos and graphics for a wide variety of Russian corporations, winning countless national and international awards for his work. But in 1994 this spirit moved him to devote himself entirely to painting. He became the regular participant of international solo and group exhibitions.

In 1996, Smirnov exhibited at the Orlean House in London, dazzling both critics and the public with his work. In 1997, Smirnov was honored as only the third living artist to have a personal exhibit in the Kremlin’s Manezh, which ranks as one of the most prestigious art galleries in the world. For three weeks, people lined up at the gallery to catch a glimpse of Smirnov’s haunting, elegant art.

Smirnov has been avidly collected throughout the world, and his art is included in several noteworthy Russian collections, including those of former Russian President Boris Yeltsin, former Prime Minister Victor Chernomirdin, former Minister of Transportation Sergey Frank, former Minister of Defense Evgeny Shaposhnikov and many others.

In July 2001, he signed a contract with Fingerhut Group Publishers, California. From 2001 to 2006,

Smirnov’s paintings were exhibited in the Fingerhut Galleries in California. Fingerhut Group releases graphic limited editions.

Sergey Smirnov died suddenly of heart attack on November 8th, 2006 in Sausalito while coming to his solo exhibition in La Jolla.



Smirnov’s works have a subtle, jewel-like quality in both line and tone. There is a precision to each sihouette and to every feature of the faces he depicts that is reminiscent of the sharpness of the facets of a cut gemstone. The colors he uses bring to mind semiprecious stones: carnelian reds, moss agate greens, the browns of smoky quartz, the yellows of topaz and citrine, the purples of amethyst. The backgrounds he selects for his portraits are rich and textured, rippling with minute variations in hue and saturation.

In looking at his art, one can easily appreciate that Smirnov ranks Gustav Klimt, the Austrian painter whose images were a cornerstone of the art nouveau movement, as an important influence. He also cites Modigliani and Rembrandt as major influences, as well as Andrei Rublev and Pheophan Grek, who were celebrated masters of Slavic icon painting. Smirnov’s style has echoes of his favorite period of Russian art, known as “parsuna”, which bridged the worlds of religious and personal portraiture, as Russian painters began adopting the portrait painting styles of Western European salons. “Parsuna”, which is derived from the Latin persona, means mask, and the hybrid imagery, first used in the 17th century, re-mains in play to this day in the art of Sergey Smirnov.